Maxwell Street Market - January 2015

The market was a little sparse this weekend - usually things don't start hopping until spring.  But Maxwell Street is open year round so there's always something going on.  This Sunday it was almost 40 degrees so I grabbed a couple of cameras and sprinted out the door.  Maxwell Street is pretty much my default go-to location for street shooting, there's always a broad & diverse group of people and you can usually find a few characters as well.  

Two things to note - I finally got around to using my 21mm f/3.4 Super Angulon on the Monochrom. The rear element on this lens sits very close to the sensor which means light will hit the corners at an angle - causing corner softness and vignetting (and a red color cast if you're shooting digital color). I'm not terribly pleased with the results - the vignetting is a bit strong for my tastes.  But I don't have any other super wide lenses so I'll just have to make do or use it exclusively on film.

Point 2 - I'm super in love with the Ricoh GR.  As a street shooting pocket sized camera it has no equal.  I just put it in 2m snap focus mode at f/8 - everything from 1 meter to infinity is in focus so taking shots is instantaneous. And image quality is just incredible when you're shooting f/8 and ISO 200.  

Nikkor 5cm f/1.4 Images

I've recently taken to shooting this lens on a Leica body using an Amedeo Nikon S to screwmount adapter.  Prior to that, the lens was used exclusively on a Nikon S2 - another interesting camera body that I'll review soon (having used it for 3 years now, it's due for some comments).  

The adapter itself has the build quality you'd expect if you were going to use it on a Leica - pure metal and impeccably finished.  Since the 5cm f/1.4 is basically just an optical unit, the Amedeo adapter provides a mount plus a focusing helicoid.  It also has the outer bayonet (used by the 35mm f/2.5 & 85mm f/2 PC, among others).  My current plans are to use this on a screwmount Leica IIIF along with my M bodies, so I bought the screwmount version which I then couple with a LTM-M adapter (he also sells adapters that are native M mount).

My overall feeling on this lens is that it runs loops around the 50mm f/1.5 Summarit (another comparable lens from the same time period).  Of course, my Summarit has a good amount of haze and some cleaning marks - a mint copy might be a better lens.  Wide open, images are rendered with a pleasing "roundness" - stop it down and it becomes as sharp as any other lens.  This is a low contrast lens - great for using with the Monochrom sensor as the RAW files give you a great palette to start postprocessing with.  

I'll continue to update this post as I continue to use this lens:

Nikon S2 - Fuji Acros 100

Nikkor 5cm f/1.4 on Monochrom

Nikon S2 - Fuji Acros 100

Nikon S2 - Centuria 400 converted to B&W

Gabriella

The Zeiss 50mm C-Sonnar f/1.5 with an orange filter on the Monochrom.  This lens has a very special look to it but it does have focus shift wide open.  It hasn't bothered me very much, I just lean in a few inches based on how close I am to my subject.