I'm out there and for some reason I decide to take out the 90mm Elmarit. It's a great portrait lens (low contrast, kind of flare-y if stray light hits, but a great looking "glow"), but not really your first choice for a cramped-quarters street lens. It turns out that putting a 90mm lens on naturally turns you into a street portrait guy as opposed to a pure street photographer. I was mostly setting up in a corner, waiting for someone to come into my field of view and notice me, then hitting the shutter the split second after the deer-in-the-headlights look went away (there's a microsecond where befuddlement turns to puzzlement turns to slight anger turns to acceptance turns to resigned acceptance - it's a great moment to hit). And that's the moment I think I caught here. And it planted the idea of a future project (hopefully something I can get done before the Big Cold One hits Chicago) - The Faces of Occupy Chicago.
One of the faces of Occupy Chicago. |
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